{"id":16556,"date":"2018-12-25T02:42:33","date_gmt":"2018-12-25T00:42:33","guid":{"rendered":"https:\/\/martabiagini.gr\/approcci\/"},"modified":"2024-03-08T11:11:49","modified_gmt":"2024-03-08T09:11:49","slug":"approcci","status":"publish","type":"page","link":"https:\/\/martabiagini.gr\/it\/approcci\/","title":{"rendered":"RECENZIONI"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column css=&#8221;.vc_custom_1551755867246{padding-top: 112px !important;padding-bottom: 96px !important;}&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><div  id=\"jtg-15990\" class=\"modula modula-gallery modula-custom-grid\" data-config=\"{&quot;height&quot;:800,&quot;tabletHeight&quot;:800,&quot;mobileHeight&quot;:800,&quot;desktopHeight&quot;:800,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0,&quot;type&quot;:&quot;custom-grid&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:&quot;0&quot;,&quot;tabletColumns&quot;:2,&quot;mobileColumns&quot;:1,&quot;lazyLoad&quot;:0,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:true},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:false,&quot;PageDown&quot;:false,&quot;ArrowUp&quot;:false,&quot;ArrowDown&quot;:false,&quot;ArrowRight&quot;:false,&quot;ArrowLeft&quot;:false},&quot;touch&quot;:false,&quot;backdropClick&quot;:false,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Close&quot;,&quot;NEXT&quot;:&quot;Next&quot;,&quot;PREV&quot;:&quot;Previous&quot;,&quot;Error&quot;:&quot;The requested content cannot be loaded. Please try again later.&quot;,&quot;PLAY_START&quot;:&quot;Start slideshow&quot;,&quot;PLAY_STOP&quot;:&quot;Pause slideshow&quot;,&quot;FULL_SCREEN&quot;:&quot;Full screen&quot;,&quot;THUMBS&quot;:&quot;Thumbnails&quot;,&quot;DOWNLOAD&quot;:&quot;Download&quot;,&quot;SHARE&quot;:&quot;Share&quot;,&quot;ZOOM&quot;:&quot;Zoom&quot;,&quot;EMAIL&quot;:&quot;Here is the link to the image : %%image_link%% and this is the link to the gallery : %%gallery_link%%&quot;,&quot;MODAL&quot;:&quot;You can close this modal content with the ESC key&quot;,&quot;ERROR&quot;:&quot;Something Went Wrong, Please Try Again Later&quot;,&quot;IMAGE_ERROR&quot;:&quot;Image Not Found&quot;,&quot;ELEMENT_NOT_FOUND&quot;:&quot;HTML Element Not Found&quot;,&quot;AJAX_NOT_FOUND&quot;:&quot;Error Loading AJAX : Not Found&quot;,&quot;AJAX_FORBIDDEN&quot;:&quot;Error Loading AJAX : Forbidden&quot;,&quot;IFRAME_ERROR&quot;:&quot;Error Loading Page&quot;,&quot;TOGGLE_ZOOM&quot;:&quot;Toggle zoom level&quot;,&quot;TOGGLE_THUMBS&quot;:&quot;Toggle thumbnails&quot;,&quot;TOGGLE_SLIDESHOW&quot;:&quot;Toggle slideshow&quot;,&quot;TOGGLE_FULLSCREEN&quot;:&quot;Toggle full-screen mode&quot;},&quot;Images&quot;:{&quot;Panzoom&quot;:{&quot;maxScale&quot;:2}},&quot;mainClass&quot;:&quot;modula-fancybox-container modula-lightbox-jtg-15990&quot;,&quot;Html&quot;:{&quot;videoAutoplay&quot;:0,&quot;videoTpl&quot;:&quot;&lt;video class=\\&quot;fancybox__html5video\\&quot; controls muted playsinline controlsList controlsList=\\&quot;nodownload\\&quot; poster=\\&quot;{{poster}}\\&quot; src=\\&quot;{{src}}\\&quot; type=\\&quot;{{format}}\\&quot; &gt;  Sorry, your browser doesn&#039;t support embedded videos, &lt;a href=\\&quot;{{src}}\\&quot;&gt; download &lt;\\\/a&gt; and watch with your favorite video player! &lt;\\\/video&gt;&quot;}},&quot;inView&quot;:false,&quot;email_subject&quot;:&quot;Check out this awesome image !!&quot;,&quot;email_message&quot;:&quot;Here is the link to the image : %%image_link%% and this is the link to the gallery : %%gallery_link%%&quot;,&quot;lightbox&quot;:&quot;fancybox&quot;}\">\n\n\t\n\t<div  class=\"modula-items\">\n\t\t<div class=\"modula-item effect-pufrobo\" data-width=\"12\" data-height=\"6\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"15991\" role=\"button\" tabindex=\"0\" rel=\"jtg-15990\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-15991\"  data-valign=\"top\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1.jpg\" title=\"\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3\" crop=\"\" width=\"1600\" height=\"885\" src=\"https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1.jpg\" data-src=\"https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1.jpg\" data-caption=\"\" srcset=\"https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1.jpg 1600w, https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1-768x425.jpg 768w, https:\/\/martabiagini.gr\/wp-content\/uploads\/2024\/01\/\u03a0\u03a1\u039f\u03a3\u0395\u0393\u0393\u0399\u03a3\u0395\u0399\u03a3-1-1536x850.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div>\t\t\n\t<\/div>\n\n\t\n\t\n\t<script type=\"application\/ld+json\">\n\t{\n\t\t\"@context\": \"http:\/\/schema.org\",\n\t\t\"@type\"   : \"ImageGallery\",\n\t\t\"id\"      : \"https:\/\/martabiagini.gr\/it\/approcci\/\",\n\t\t\"url\"     : \"https:\/\/martabiagini.gr\/it\/approcci\/\"\n\t}\n\n\t<\/script>\n\n\t\n<\/div>\n<p>[\/vc_column_text][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Konstantino%20Burazani%20Storico%20dell&#8217;Arte%20A.S.K.T%22%2C%22position%22%3A%22%5C%22PERCEZIONI%5C%22%20(2021)%22%2C%22content%22%3A%22Le%20%5C%22Percezioni%5C%22%20di%20Marta%20Biagini%2C%20sono%20un&#8217;apertura%20a%20un%20mondo%20diverso%2C%20non%20opposto%20al%20reale%2C%20ma%20esistente.%20Si%20tratta%20di%20uno%20sguardo%20pi%C3%B9%20soggettivo%20verso%20una%20diversa%20dimensione%20ontologica%20del%20mondo%20fisico%2C%20con%20la%20quale%20abbiamo%20una%20relazione%20particolare%2C%20riguardante%20la%20comprensione%20e%20la%20familiarit%C3%A0%20degli%20elementi%20cosmici%20e%20dello%20spazio%20circostante.%5Cn%20%20%20La%20percezione%20%C3%A8%20definita%20come%20la%20capacit%C3%A0%20mentale%20di%20vedere%20le%20immagini%2C%20al%20di%20l%C3%A0%20delle%20capacit%C3%A0%20della%20normale%20visione.%20Si%20tratta%20di%20un%20processo%20subconscio%2C%20che%20%C3%A8%20direttamente%20correlato%20all&#8217;esperienza%20e%20si%20inserisce%20in%20una%20secondaria%20%20natura%20dell&#8217;uomo%2C%20mentre%20proietta%20la%20conoscenza%2C%20la%20quale%20si%20produce%20con%20modi%20lontani%20dai%20sensi%20e%20dalla%20logica.%5Cn%20%20%20La%20comprensione%20attraverso%20l&#8217;esperienza%2C%20%C3%A8%20correlata%20a%20fattori%20che%20hanno%20un&#8217;influenza%20diretta%20e%20sono%20determinati%20sia%20dalle%20convinzioni%20soggettive%20che%20dal%20background%20culturale%20generale.%20L&#8217;artista%20attiva%20questo%20processo%20percettivo%20e%20presenta%20trentun%20dipinti%2C%20in%20cui%20si%20realizza%20la%20distinzione%20tra%20elemento%20soggettivo%20e%20quello%20oggettivo%2C%20dello%20spazio%20empirico.%20Il%20suo%20lavoro%20%C3%A8%20diviso%20in%20due%20categorie.%20La%20prima%20%20riguarda%20il%20s%C3%A9%20soggettivo%20e%20la%20sua%20visione%20degli%20elementi%20morfologici.%20In%20questo%20modo%20%20raggiunge%20il%20surrealismo.%20Il%20secondo%20invece%2C%20che%20trae%20ispirazione%20dal%20mondo%20oggettivo%2C%20mostra%20forme%20riconoscibili%2C%20integrate%20in%20una%20poesia%20pi%C3%B9%20mite%2C%20che%20rivela%20il%20paradosso%20dei%20due%20mondi.%5Cn%20%20%20Nella%20categoria%20delle%20opere%20puramente%20surreali%2C%20la%20tela%20%C3%A8%20inondata%20da%20forme%20astratte%20e%20biomorfiche%20che%20vagano%20nello%20spazio.%20I%20luoghi%20soprannaturali%20non%20obbediscono%20alla%20geometria%20euclidea%2C%20per%CF%8C%20attraverso%20le%20loro%20ombre%20e%20i%20loro%20contorni%20si%20sottopongono%20%20allo%20spazio%20tridimensionale%2C%20raffigurando%20cos%C3%AC%20una%20diversa%20realt%C3%A0%20.%20Gli%20organismi%20%20colorati%2C%20creazioni%20del%20subconscio%2C%20fluttuano%20e%20si%20sviluppano%2C%20all&#8217;interno%20delle%20allucinazioni%2C%20dove%20il%20tempo%20%C3%A8%20chiaramente%20assente.%20Passato%20e%20futuro%20si%20confondono%20in%20un%20compatto%20presente.%20%20%20Il%20disegno%20%C3%A8%20rigoroso%20e%20le%20forme%20che%20modella%20si%20presentano%20chiuse%2C%20il%20che%20conferisce%20un%20carattere%20di%20stabilit%C3%A0.%20Il%20colore%20si%20stende%20liscio%20e%20uniforme%2C%20senza%20residui%20e%20trame%20visibili%2C%20favorendo%20cos%C3%AC%20l&#8217;insieme%20che%20caratterizza%20perci%C3%B2&#8217;%20l&#8217;universo%20soggettivo.%5Cn%20%20%20La%20seconda%20categoria%20comprende%20opere%20in%20cui%20gli%20elementi%20illustrativi%20sono%20ancora%20legati%20alla%20realt%C3%A0%20oggettiva%2C%20anche%20se%20frammentariamente.%20I%20colori%20si%20presentano%20pi%C3%B9%20tenui%20e%20le%20forme%20cessano%20di%20essere%20cintate%2C%20in%20relazione%20al%20loro%20ambiente.%20Questo%20secondo%20mondo%20%20si%20sviluppa%20in%20modo%20pi%C3%B9%20proporzionale%20e%20pi%C3%B9%20dinamico.%20Lo%20spazio%20qui%20%C3%A8%20definito%20da%20architetture%2C%20oggetti%20e%20piante%2C%20che%20sono%20significativamente%20concentrate%20in%20ogni%20composizione.%20Volti%20e%20corpi%20sono%20integrati%20nelle%20composizioni%20astratte%20che%20completano%20il%20mondo%20onirico.%20Il%20nesso%20tra%20le%20forme%20%C3%A8%20vago%2C%20proiettando%20cos%C3%AC%20un%20rapporto%20strutturale%2C%20che%20a%20prima%20vista%20si%20basa%20sull&#8217;assurdo.%20Gli%20elementi%20realistici%20non%20appaiono%20come%20informazioni%20di%20una%20specifica%20narrazione%2C%20ma%20come%20stralci%2C%20ognuno%20dei%20quali%20%20%20ha%20in%20se&#8217;%20un%20proprio%20significato%20e%20contribuisce%20cos%C3%AC%20a%20un%20tutto%2C%20da%20cui%20si%20rivela%20la%20pura%20espressione%20del%20pittore.%5Cn%20%20%20La%20funzione%20dell&#8217;arte%20di%20%5C%22percezioni%5C%22%2C%20non%20%C3%A8%20finalizzato%20alla%20cognizione%20n%C3%A9%20a%20qualcosa%20di%20pragmatico(effettivo).%20Il%20suo%20scopo%20%C3%A8%20quello%20di%20rivelare%20il%20conflitto%2C%20tra%20istinti%20e%20logica%20emotiva%2C%20al%20vantaggio%20dell&#8217;espressione.%5Cn%20%20Le%20due%20diverse%20prospettive%2C%20sullo%20stesso%20mondo%20interiore%2C%20suggeriscono%20la%20contraddizione%20tra%20conscio%20e%20inconscio.%20L&#8217;ordine%20e%20la%20rigorosa%20purezza%20di%20cui%20godono%20le%20forme%20delle%20opere%20astratte%20e%20surreali%20contrasta%20con%20la%20fluidit%C3%A0%20e%20l&#8217;osmosi%20che%20prevale%20nelle%20composizioni%20che%20mantengono%20il%20loro%20contatto%20con%20gli%20elementi%20della%20realt%C3%A0.%20Pertanto%2C%20la%20contraddizione%20si%20oppone%20alla%20conoscenza%20gi%C3%A0%20formata%2C%20rispetto%20%20allo%20stato%20libero%20che%20prevale%20nello%20spazio%20dell&#8217;inconscio%20e%20l&#8217;ordine%20riconoscibile%2C%20che%20caratterizza%20la%20coscienza%20e%20la%20logica.%5Cn%20%20%20L&#8217;artista%20organizza%20una%20diversa%20struttura%20del%20suo%20mondo%20pittorico%2C%20dove%20prevale%20l&#8217;ambiguit%C3%A0%20tra%20i%20rapporti%20delle%20sue%20parti%2C%20con%20la%20sua%20esistenza%20che%20sembra%20enigmatica%2C%20ma%20senza%20poter%20essere%20rifiutata.%20Niente%20funziona%20in%20sequenza%2C%20ma%20tutto%20%C3%A8%20armonizzato%20sulla%20base%20di%20una%20diversa%20visione%20del%20mondo%2C%20dove%20si%20mette%20in%20primo%20piano%20l&#8217;emozione%2C%20che%20viene%20filtrata%20attraverso%20l&#8217;esperienza%20umana%20e%20traduce%20la%20morfologia%20in%20un%20processo%20soggettivo%20ed%20espressivo.%5Cn%20%20%20Dall&#8217;insieme%20delle%20opere%20scaturisce%20una%20forza%20interiore%2C%20che%20fa%20sentire%20questa%20esistenza%20diversa%2C%20che%20acquista%20consistenza%20nel%20colore%20e%20nella%20%20potenzialit%C3%A0%20delle%20forme.%20La%20Biagini%20con%20%C2%ABpercezioni%5C%22%2C%20sviluppa%20una%20retorica%20riguardo%20alla%20teoria%20dell&#8217;interiorit%C3%A0%20umana%20e%20la%20percezione%20dell&#8217;ambiente%20esterno%2C%20allo%20scopo%20di%20attivare%20la%20%20ricerca%20e%20la%20comunicazione%20di%20uno%20spazio%20pi%C3%B9%20essenziale%20e%20autentico.%22%7D%2C%7B%22title%22%3A%22Giannis%20Papadakis%22%2C%22position%22%3A%22%5C%22GUARDANDO%5C%22%202018%22%2C%22content%22%3A%22Seguendo%20il%20percorso%20artistico%20di%20Marta%2C%20si%20scopre%20un%20tragitto%20dalla%20bramosa%20ricerca%20%20pittorica%20attraverso%20il%20suo%20mondo%20interiore%20e%20la%20sua%20preoccupazione%20del%20sociale.%20Opere%20principalmente%20di%20volti%20ed%20espressioni%20con%20perfetta%20realizzazione%20pittorica.%20%C3%88%20abbastanza%20ci%C3%B2%20&#8217;per%20definirsi%20arte%3F%20La%20perfezione%20no%2C%20di%20per%20s%C3%A9%20non%20%C3%A8%20sufficiente%20e%20pu%C3%B2%20disorientare.%20Ma%20quando%20riesce%20a%20esprimere%20l&#8217;anima%2C%20come%20negli%20Spazi%20della%20Mente%2C%20allora%20s%C3%AC%20%C3%A8%20arte.%5Cn%20%20%20Realizza%20l&#8217;inespresso%20e%20allo%20stesso%20tempo%20esprime%20la%20preoccupazione%20di%20un%20essere%20umano%20per%20ci%C3%B2%20che%20sta%20accadendo%20intorno%20a%20s%C3%A9%20e%20dentro%20di%20s%C3%A9.%5Cn%20%20%20Si%20scopre%20che%20ha%20bisogno%20di%20pi%C3%B9%20per%20esprimere%20la%20sua%20agonia.%20Nasce%20cos%C3%AC%20il%20legame%20delle%20sue%20opere%20con%20il%20Rinascimento%20e%20la%20Mitologia%2C%20germe%20del%20metafisico%20e%20del%20trascendentale.%20La%20sua%20Medea%2C%20opera%20intensamente%20plastica%20ma%20anche%20selvaggia%2C%20come%20richiede%20il%20Mito.%20Opera%20tragica%20di%20selvaggia%20bellezza.%20%20%20%5Cn%20%20%20Contemporaneamente%2C%20il%20pozzo%20della%20speranza%20come%20lo%20percepisce%20la%20mia%20ignoranza%2C%20con%20l&#8217;immagine%20%20dei%20sassi%20che%20lo%20incoronano.%20Sensazione%20immaginaria%20che%20ognuno%20ha%20nella%20propria%20mente.%5Cn%20%20%20Il%20percorso%20prosegue%20con%20opere%20d&#8217;intensa%20plasticit%C3%A0%20e%20l&#8217;uso%20di%20colori%2C%20musica.%20Dipinti%20dal%20forte%20tono%20metafisico%2C%20di%20simboli%20spontanei%20che%20suggestionano%20%20e%20fanno%20decollare.%5Cn%20%20%20Qui%20il%20surreale%20e%20il%20metafisico%20coincidono.%20Ma%20forse%20succede%20sempre.%20Raramente%20pero&#8217;%20%C3%A8%20espresso%20in%20un%20modo%20cos%C3%AC%20moderno.%5Cn%20%20%20%C3%88%20anche%20di%20una%20bellezza%20che%20a%20prima%20vista%20intrappola%20e%20finch%C3%A9%20si%20continua%20a%20osservare%20porta%20a%20percorsi%2C%20%20riflessioni%2C%20problematiche%20che%20volontariamente%20o%20involontariamente%20l&#8217;artista%20ci%20fa%20indagare.%5Cn%20%20Si%20pu%C3%B2%20fantasticare%20su%20qualcosa%20che%20pu%C3%B2%20esistere%20(%3F)%20Ma%20non%20pu%C3%B2%20non%20esistere%20l&#8217;%20arte%20di%20Marta%2C%20piena%20di%20agonia%2C%20preoccupazione%2C%20poesia.%20Una%20poesia%20figurativa%2C%20fantasia%20libera%20senza%20vincoli%2C%20che%20allo%20stesso%20tempo%2C%20sebbene%20sembri%20un%20ossimoro%2C%20non%20lascia%20senza%20controllo%20il%20Pegaso%20della%20sua%20pittura.%5Cn%20%20%20Un%20percorso%20che%20prosegue%20negli%20spazi%20della%20mente%2C%20tra%20labirinti%20e%20speranze.%5Cn%20%20%20Fari%20e%20costruzioni%20a%20forma%20di%20faro%2C%20ricercatori%20%20(che%20si%20possa%20dire)%20e%20inquieti%20che%20spingono%20il%20pensiero%20a%20immaginare%20una%20Babele%20moderna.%20%20%20%20%20%5CnFari%20onniscienti%20rivelano%20percorsi%20inesplorati%20nascosti%20nelle%20profondit%C3%A0%20della%20mente.%5CnDove%20guidano%3F%5CnVogliono%20guidare%3F%5CnPiuttosto%2C%20portano%20a%20scavare%20%5C%22cercare%20dentro%5C%22.%5Cn%20%20%20Ed%20%C3%A8%20impossibile%20che%20restino%20ignorati%20%20gli%20eleganti%20uccelli%20che%20viaggiano%20secondo%20me%2C%20cercano%20l&#8217;aldil%C3%A0%20(pag.%20)%2C%20si%20allontanano%20dalla%20Logica.%5Cn%20%20%20Il%20percorso%20degli%20uccelli%20compete%20con%20un%20aquilone%20volante%20(pag.%20)%2C%20fuggitivo%20dalle%20stanze%20della%20mente%20in%20un%20percorso%20di%20speranza%3F%20Futuro%3F%5Cn%20%20%20Dopotutto%2C%20le%20opere%20di%20Marta%20non%20sono%20n%C3%A9%20logica%20n%C3%A9%20scienza.%20Sono%20arte.%5Cn%20%20%20Opere%20d&#8217;arte%20che%2C%20lavorando%20nel%20tempo%2C%20acquisiscono%20colori%20e%20accostamenti%20cromatici%20e%20una%20geometria%20di%20forme%20che%20pu%C3%B2%20avere%20un%20punto%20di%20partenza%20inconscio%20nel%20passato%20architettonico%20di%20Marta%2C%20ma%20che%20a%20me%20riporta%20alla%20mente%20immagini%20di%20%20De%20Chirico%20e%20Magritte.%20E%20non%20mi%20riferisco%20a%20un%20confronto%20di%20dimensioni%20artistiche%20ma%20al%20fatto%20che%20gli%20artisti%20di%20talento%20si%20istruiscono%20e%20assimilano%20l&#8217;insegnamento%20e%20le%20opere%20di%20maestri%20illustri.%5Cn%20%20%20L&#8217;arte%20di%20Marta%20%20sorprende%2C%20ma%20anche%20allieta.%20Non%20%C3%A8%20sentimentalismo%2C%20esprime%20il%20suo%20mondo%20interiore%20con%20gli%20strumenti%20della%20pittura.%5CnL&#8217;Arte%20avanza.%5CnProsegui%20Marta%20(aspettiamo%20cose%20nuove%20da%20te)%5Cn%5Cn%20%20%20Tutto%20quanto%20sopra%20sono%20opinioni%20personali.%20De%20profundis%2C%20non%20artisticamente%20documentate.%20Inoltre%2C%20non%20ho%20la%20formazione%20corrispondente.%20Ma%20questo%20non%20mi%20impedisce%20di%20esprimere%20come%20mi%20sento%20e%20cosa%20ricevo%20dalle%20opere%20della%20%20mia%20cara%20amica.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Nikolena%20Kalaitzaki%20Critico%20d&#8217;Arte%22%2C%22position%22%3A%22%5C%22SPAZI%20DELLA%20MENTE%5C%22%202018%22%2C%22content%22%3A%22Luoghi%20impregnati%20di%20colore%2C%20tratti%20dalla%20carezza%20della%20fantasia%20e%20dalla%20memoria%20del%20realismo%2C%20compongono%20il%20mondo%20pittorico%20di%20M.B.%20Secondo%20il%20titolo%20%5C%22Spazi%20della%20Mente%5C%22%2C%20l&#8217;esposizione%20mi%20riporta%2C%20per%20prima%20cosa%2C%20alla%20sensazione%20di%20una%20poetica%20fragilit%C3%A0%20che%20si%20esprime%20non%20con%20parole%2C%20ma%20con%20il%20pennello%20e%20le%20tecniche%20e%20i%20mezzi%20che%20la%20pittura%20offre.%5Cn%20%20%20Marta%2C%20architetto%20da%20anni%2C%20pittrice%20fin%20da%20bambina%2C%20riesce%2C%20nelle%20sue%20opere%20a%20coniugare%20le%20sue%20due%20grandi%20passioni.%20L&#8217;Architettura%2C%20con%20le%20sue%20regole%20determinate%2C%20con%20la%20libert%C3%A0%20del%20fare%20artistico.%20In%20un%20caloroso%20abbraccio%2C%20metafisico%2C%20%20surrealisticamente%20proposto%2C%20spazi%20della%20mente%20in%20continuo%20movimento%2C%20con%20costruzioni%20come%20punto%20di%20riferimento%2C%20%20aprono%20le%20porte%20alla%20vortiginosit%C3%A1%20del%20pensiero%20verso%20infiniti%20viaggi.%5Cn%20%20%20Dentro%20a%20queste%20costruzioni%20architettoniche%20si%20cela%20un%20%E2%80%9Clievito%20seduttivo%E2%80%9D.%20Si%20direbbe%20che%20ricordano%20nascondigli%20che%20stimolano%20a%20vagare%20dentro%2C%20fuori%20e%20intorno.%20A%20camminare%20sopra%20le%20loro%20ritmiche%20piastrelle.%20Ad%20attraversare%20lungo%20le%20scale%20i%20loro%20passaggi%20aperti.%20A%20cercare%20di%20trovare%20che%20cosa%20si%20cela%20dietro%20ai%20loro%20simboli%2C%20pi%C3%B9%20grandi%20o%20pi%C3%B9%20piccoli.%20Da%20qualche%20parte%20ci%20sono%20pietra%20e%20fiori%20bizzarri.%20E%20c&#8217;%C3%A8%20%20anche%20sole%20e%20mari%20azzurri%20al%20tramonto.%5Cn%20%20%20La%20verit%C3%A0%20%C3%A8%20che%20il%20simbolismo%20pullula%20nella%20totalit%C3%A0%20delle%20opere%20della%20Biagini%2C%20anche%20negli%20elementi%20architettonici.%20A%20volte%20rimandano%20a%20complessi%20ellenici%2C%20delle%20isole%20o%20ad%20antichi%20palazzi.%20%20Altre%20volte%20ad%20alte%20torri%20cilindriche%20aristocratiche%20appartenenti%20a%20un&#8217;altra%20epoca.%20A%20quartieri%20o%20fortificazioni%20coniche.%20Li%20accompagnano%20elementi%20della%20natura.%20Cieli%2C%20alberi%2C%20uccelli.%5Cn%20%20%20E%20in%20tutto%20questo%20la%20figura%20umana%20%C3%A8%20assente.%5Cn%20%20%20Figure%20umane%20si%20ritrovano%20invece%20nella%20seconda%20sezione%20delle%20sue%20opere%20che%20viene%20presentata%20nella%20mostra.%20Si%20tratta%20di%20ritratti%20collocati%20in%20ambienti%20architettonici%2C%20in%20alcuni%20casi%20ben%20definiti%20(stanze%2C%20spazi)%20e%20altrove%20collocati%20su%20uno%20sfondo%20astratto%20che%20si%20compone%20di%20vari%20motivi%20geometrici.%5Cn%20%20%20I%20volti%20sono%20interpretati%20secondo%20una%20scrittura%20figurativa%20personale%2C%20con%20il%20loro%20realismo%20che%20si%20distorce.%20%20La%20caratteristica%20principale%20di%20tutte%20le%20figure%20%C3%A8%20la%20loro%20espressione%20e%20il%20loro%20sguardo.%20Con%20gli%20occhi%20umidi%20e%20un&#8217;espressione%20seria%2C%20guardano%20lo%20spettatore%20o%20da%20qualche%20altra%20parte.%20%20Da%20qualche%20parte%20in%20alto.%20Come%20silenziose%2C%20immerse%20dentro%20se%20stesse%2C%20danno%20l&#8217;impressione%20di%20vagheggiare%20o%20come%20se%20volessero%20fuggire%20dal%20loro%20presente%2C%20nel%20paese%20dei%20propri%20sogni.%22%7D%2C%7B%22title%22%3A%22Athin%C3%A0%20Schin%C3%A0%20Critico%20%26%20Storico%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22TRAME%20SPAZIALI%5C%22%202011%22%2C%22content%22%3A%22Marta%20Biagini%20non%20dispone%20soltanto%20di%20una%20feconda%20fantasia%20creatrice%20d&#8217;immagini%20e%20di%20forme%2C%20grazie%20alla%20quale%20libera%20possibilit%C3%A0%20espressive%20dell%E2%80%99inconscio.%20Avvalendosi%20della%20scrittura%20automatica%20surrealista%2C%20decodifica%20stimoli%20e%20sensazioni%20che%20riceve%20dal%20suo%20ambiente%2C%20da%20relazioni%20e%20impressioni%2C%20da%20registrazioni%20della%20memoria%20e%20condizioni%20%20archetipe%2C%20trasformandoli%20in%20labirintici%20campi%20visivi.%5Cn%20%20%20La%20sua%20ricerca%20figurativa%20si%20focalizza%20nella%20ricomposizione%20di%20una%20realt%C3%A0%20che%20deriva%20dalle%20stesse%20influenze%20della%20scrittura%2C%20come%20percorsi%20di%20segni%20multiformi%20e%20proseguimento%20della%20linea.%20Di%20una%20linea%20che%2C%20con%20gli%20intrecci%20e%20i%20ritorni%20su%20se%20stessa%2C%20con%20ispessimenti%20e%20rarefazioni%2C%20con%20sintesi%20ritmiche%20e%20ondeggianti%2C%20crea%20trame%20entro%20le%20quali%20si%20misura%20l&#8217;appurato%20con%20il%20non%20convalidato%2C%20il%20visibile%20con%20il%20presunto%2C%20l%E2%80%99enigmatico%20con%20il%20paradossale.%5Cn%20%20%20I%20%5C%22paesaggi%5C%22e%20la%20scrittura%20astratta%20e%20gestuale%20di%20Marta%20Biagini%20ricordano%20schermi%20di%20trina%20che%20uniscono%20e%20contemporaneamente%20dividono%20%5C%22l%E2%80%99essere%5C%22%20dal%20%5C%22sembrare%5C%22%20di%20una%20fluida%20e%20continua%20sequenza%20di%20situazioni.%20Se%20l%E2%80%99auto%20definizione%20esistenziale%20della%20stessa%20scrittura%20determina%20le%20trasformazioni%20e%20le%20trasfigurazioni%20dell%E2%80%99%20%5C%22io%5C%22%2C%20questa%20prima%20persona%20singolare%20nel%20%20lavoro%20dell%E2%80%99artista%20acquista%20multiformit%C3%A0%20e%20diventa%20il%20plurale%20%5C%22noi%5C%22%2C%20come%20coscienza%20di%20una%20drammaturgia%20di%20eventi%20multi%20modali%20che%20si%20riferiscono%20al%20palese%20e%20all%E2%80%99invisibile%2C%20al%20passato%20che%20diventa%20presente%2C%20senza%20tuttavia%20il%20limite%20di%20definizioni%20determinate.%5Cn%20%20%20Lo%20spettatore%20viene%20attratto%20e%20nello%20stesso%20tempo%20intrecciato%20inconsciamente%20nell%E2%80%99andamento%20labirintico%20della%20%20scrittura%20che%2C%20oltre%20e%20sopra%20a%20tutto%2C%20definisce%20le%20gradazioni%20e%20le%20trame%20pittoriche%2C%20le%20tensioni%20%20e%20il%20carattere%20dello%20spazio%20in%20se%20stesso.%20Di%20uno%20spazio%20che%20decostruisce%20e%20ristruttura%2C%20altera%20e%20continuamente%20impedisce%20le%20possibilit%C3%A0%20di%20tutelare%20la%20logica.%20Questo%20spazio%20dalle%20molte%20dinamiche%20cede%20il%20posto%20a%20trame%20topologiche%20che%20talvolta%20colorano%2C%20altre%20volte%20decolorano%20con%20semitoni%20le%20varie%20propagazioni%20delle%20sue%20parti%2C%20le%20quali%20non%20soltanto%20comunicano%20tra%20di%20loro%2C%20ma%20conferiscono%20anche%20la%20sequenza%20organica%20all%E2%80%99insieme%2C%20stimolando%20nello%20spettatore%20il%20meccanismo%20di%20associazione.%5Cn%20%20%20Nel%20lavoro%20di%20Marta.Biagini%20lo%20spazio%20si%20identifica%20con%20il%20tempo%20e%20la%20luce%2C%20mentre%20le%20scale%20ridotte%20corrispondono%20a%20grandi%20scale%20di%20avvenimenti%20che%20superano%20l%E2%80%99%20autonomia%20%20dell%E2%80%99%5C%22io%5C%22.%20Ogni%20campo%20visivo%20equivale%20al%20positivo%20e%20al%20negativo%20della%20sua%20presenza%2C%20come%20se%20lo%20spettatore%20comunicasse%20con%20una%20fotografia%20%20e%20allo%20stesso%20tempo%20con%20il%20suo%20negativo%2C%20perch%C3%A9%20ci%C3%B2%20che%20si%20ricerca%20in%20questa%20specifica%20serie%20di%20opere%20non%20%C3%A8%20svelare%20solo%20le%20trasformazioni%20di%20una%20%C2%ABimmagine%C2%BB%2C%20ma%20le%20sinergie%20nel%20momento%20in%20cui%20esse%20indicano%20la%20morfogenesi%20in%20se%20stessa%2C%20entro%20lo%20spazio%2C%20il%20tempo%20e%20la%20luminescenza%20di%20un%20campo%20visivo%20che%2C%20come%20uno%20schermo%2C%20palpita%20di%20vita%2C%20si%20contrae%20e%20si%20distribuisce%2C%20si%20riduce%20e%20si%20espande%2C%20portando%20in%20primo%20piano%20il%20significato%20e%20la%20dinamica%20del%20grafismo.%20L%E2%80%99entit%C3%A0%20della%20scrittura%20-%20come%20un%20organismo%20multicellulare%20-%20attraverso%20la%20sua%20circonvoluzione%2C%20le%20sovrapposizioni%20delle%20trame%2C%20il%20suo%20semplificarsi%20e%20il%20suo%20convertirsi%2C%20il%20divenire%20complessa%20e%20il%20lasciare%20tracce%2C%20si%20trasforma%20nell%E2%80%99entit%C3%A0%20di%20una%20materia%20che%20si%20ricostruisce%20e%20si%20deframmenta%2C%20alla%20ricerca%20di%20autenticit%C3%A0%20e%20plausibilit%C3%A0%20della%20sua%20presenza%20aerea.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22%CE%95lena%20Orlando%2C%20Storico%20dell&#8217;Arte%22%2C%22position%22%3A%22%5C%22IL%20RITMO%20ARMONICO%20E%20FANTASTICO%20DEL%20PENSIERO%5C%22%202013%22%2C%22content%22%3A%22Guardando%20le%20opere%20di%20questa%20artista%20l%E2%80%99inconscio%20emerge%20durante%20i%20sogni%2C%20%20dopodich%C3%A9%20finita%20la%20fase%20onirica%20permette%20di%20associare%20libere%20parole%2C%20liberi%20pensieri%20e%20immagini%20senza%20freni%20inibitori.%20E%E2%80%99%20vero%20surrealismo%20%20quello%20di%20Biagini%20che%20parte%20da%20un%20punto%20e%20poi%20piano%20piano%20costruisce%20intorno%20a%20esso%20una%20scrittura%20che%20prende%20inesauribili%20vie.%20Nelle%20sue%20opere%20si%20riscontra%20una%20forte%20libert%C3%A0%20immaginativa%20che%20dall%E2%80%99io%20pi%C3%B9%20profondo%20porta%20a%20raggiungere%20uno%20stato%20conoscitivo%20oltre%20la%20realt%C3%A0%20in%20cui%20veglia%20e%20sogno%20sono%20presenti%20entrambi%20e%20si%20conciliano%20a%20vicenda%20in%20modo%20armonico.%20L%E2%80%99artista%20accanto%20a%20immagini%20nitide%20e%20reali%20sviluppa%20forme%20che%20non%20sono%20sempre%20decifrabili%2C%20ma%20si%20collegano%20sapientemente%20tra%20loro%20dando%20vita%20a%20figure%20enigmatiche%2C%20ma%20che%20stimolano%20sentimenti%20ed%20emozioni.%20Il%20%20modo%20di%20esprimersi%20di%20Marta%20denota%20capacit%C3%A0%20analitica%20nei%20confronti%20del%20mondo%20circostante%20e%20di%20coloro%20che%20ne%20fanno%20parte.%5Cn%5Cn%20%20%20Tutto%20spazia%20attraverso%20sguardi%20e%20atteggiamenti%20fortemente%20intrisi%20di%20significato%20e%20nelle%20immagini%20fantastiche%20sono%20%20le%20sfumature%20cromatiche%20e%20la%20forma%20a%20dare%20rilevante%20valore%20ai%20suoi%20lavori.%5Cn%5Cn%20%20%20I%20bambini%20di%20colore%20ci%20guardano%20esprimendo%20un%20dolore%20antico%2C%20che%20chiede%2C%20che%20giudica%20e%20che%2C%20con%20dolcezza%2C%20condanna%20la%20nostra%20indifferenza%2C%20senza%20sopraffare%2C%20ma%20portandoci%20a%20rimetterci%20continuamente%20in%20discussione%20e%20farci%20un%20continuo%20esame%20di%20coscienza.%20Belle%20le%20opere%20e%20piene%20di%20significato%2C%20da%20guardare%20per%20riflettere%20e%20conservare%20nel%20proprio%20cuore.%22%7D%2C%7B%22title%22%3A%22Panaiotis%20Papadopulos%2C%20Critico%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22IL%20LIBERO%20GIOCO%20DELLA%20FANTASIA%5C%22%202014%22%2C%22content%22%3A%22%20%20%20Il%20Libro%20Rosso%20di%20Carl%20Yung%20%C3%A8%20%20la%20descrizione%20dei%20vari%20stati%20d%E2%80%99animo%20dell%E2%80%99autore.%20Una%20specie%20di%20diario%20psicologico.%20In%20questo%20libro%20sono%20raffigurati%20anche%20molti%20disegni%20eseguiti%20da%20lui%20stesso.%20Yung%20considerava%20questi%20disegni%20come%20la%20manifestazione%20esterna%20del%20modo%20in%20cui%20viveva%20le%20proprie%20esperienze.%20Costituivano%20l%E2%80%99espressione%20dell%E2%80%99%E2%80%9Danima%20oggettiva%E2%80%9D%2C%20cio%C3%A8%E2%80%99%20l%E2%80%99espressione%20esteriore%20di%20elementi%20che%20sono%20comuni%20a%20tutti.%20%20%20%20%20%20%20%20%20%20%5Cn%5Cn%20%20%20Si%20sa%20che%20l%E2%80%99artista%20in%20genere%20vive%20con%20idee%20persistenti.%20Ripete%20ininterrottamente%20immagini%2C%20simboli%20e%20situazioni%20che%20per%20lui%20hanno%20un%20determinato%20peso.%20Il%20ricorrere%20continuamente%20a%20essi%20%20%C3%A9%20la%20sua%20caratteristica.%20%5Cn%5Cn%20%20%20Si%20%20ritrova%20questo%20anche%20in%20Marta%20Biagini.%20Nella%20sua%20precedente%20%20esposizione%2C%20con%20il%20tema%20dei%20cappelli%2C%20vi%20era%20principalmente%20la%20volont%C3%A0%20di%20dar%20forma%20a%20simboli%20che%20le%20varie%20figure%20portavano%20sui%20propri%20cappelli.%20Ogni%20%20forma%20rimandava%20a%20un%E2%80%99immagine%20di%20un%20qualche%20stereotipo%20o%20di%20un%20qualche%20simbolo%20archetipo.%20%5Cn%5Cn%20%20%20Nell%E2%80%99%20esposizione%20attuale%20si%20ritrova%20una%20continuazione%20della%20stessa%20problematica.%20Gli%20acquarelli%20e%20anche%20le%20opere%20a%20olio%20con%20questa%20tematica%20creano%20%20un%20gioco%20con%20gli%20elementi%20della%20memoria.%20La%20sua%20grafica%20fa%20pensare%20a%20quella%20automatica%20dei%20surrealisti%20o%20alla%20corrispondente%20tecnica%20di%20Cocteau.%20Inizia%20infatti%20a%20disegnare%20partendo%20da%20un%20punto%20casuale.%20%20Procede%20a%20mano%20a%20mano%20creando%20delle%20forme%20che%20rimandano%20a%20elementi%20archetipi%20della%20memoria.%20La%20torre%2C%20la%20finestra%2C%20la%20scala%20fanno%20parte%20di%20questi.%20Certamente%20questo%20procedimento%20pu%C3%B2%E2%80%99svolgersi%20anche%20al%20contrario.%20Si%20pu%C3%B2%E2%80%99%20cominciare%20cio%C3%A8%20da%20qualche%20simbolo%20caratteristico%20per%20continuare%20in%20seguito%20improvvisando.%20Sia%20nell%E2%80%99uno%20che%20nell%E2%80%99altro%20caso%20si%20raggiunge%20lo%20stesso%20risultato%3A%20di%20svelare%20e%20di%20esprimere%20figurativamente%20l%E2%80%99eredit%C3%A0%20%20della%20memoria%20che%20%C3%A8%20%20comune%20a%20tutti%20e%20che%20si%20trova%20dentro%20di%20noi.%20%5Cn%5Cn%20%20%20%20Il%20procedimento%20che%20abbiamo%20descritto%20corrisponde%20ai%20due%20livelli%20della%20memoria%20che%20l%E2%80%99artista%20recepisce.%20Da%20una%20parte%20si%20ha%20una%20memoria%20immediata%20che%20rimanda%20a%20un%20certo%20genere%20di%20forma.%20Si%20disegna%20diversamente%20quando%20si%20%C3%A8%20calmi%20piuttosto%20che%20quando%20si%20e%E2%80%99%20arrabbiati%20o%20malinconici.%20Si%20tratta%20di%20una%20specie%20di%20memoria%20istantanea%2C%20di%20una%20corrispondenza%20immediata%20agli%20stimoli%20provenienti%20dall%E2%80%99ambiente%20e%20dalle%20proprie%20sensazioni.%20Questo%20livello%20conduce%20all%E2%80%99improvvisazione%20che%20straripa%20da%20opera%20a%20opera%20a%20seconda%20dello%20stato%20emotivo%20dell%E2%80%99artista.%20Esiste%20per%C3%B2%20anche%20la%20memoria%20continua%20che%20aiuta%20nell%E2%80%99espressione%20degli%20archetipi%20che%20l%E2%80%99artista%20vuole%20raffigurare.%20Adotta%20il%20concetto%20classico%20dell%E2%80%99arte%20che%20non%20e%E2%80%99%20altro%20che%20il%20libero%20gioco%20della%20fantasia%20che%20sgorga%20in%20modo%20libero%20e%20spontaneo.%20Ci%C3%B2%20che%20la%20fantasia%20non%20dimentica%20si%20avvale%20della%20possibilit%C3%A0%20di%20esistere.%20La%20asimmetria%20che%20c%E2%80%99%C3%A9%20tra%20la%20realt%C3%A0%20e%20la%20fantasia%20non%20si%20risolve%20per%20dato%20di%20fatto%20ma%20intermediando%20con%20la%20forza%20del%20fantastico.%20I%20suoi%20disegni%20sperimentano%20%20le%20pi%C3%B9%20infinite%20possibilit%C3%A0%20tra%20il%20Generico%20e%20lo%20Specifico%20con%20la%20fantasia%2C%20in%20base%20a%20criteri%20che%20non%20sono%20dati%20a%20priori%20ma%20interagiscono%20come%20in%20un%20gioco.%20%5Cn%5Cn%20%20%20Marta%20Biagini%20punta%20a%20focalizzare%20il%20significato%20dell%E2%80%99insieme%20e%20della%20sua%20composizione.%20Principi%20che%20ha%20preso%20in%20prestito%20dall%E2%80%99architettura.%20Quando%20disegna%20o%20dipinge%20una%20torre%20non%20le%20importa%20solo%20di%20raffigurare%20un%20simbolo%2C%20ma%20di%20come%20esso%20si%20inserisca%20con%20i%20suoi%20elementi%20d&#8217;improvvisazione%20entro%20una%20struttura%20unica.%20La%20forma%20deve%20essere%20totale.%20L%E2%80%99opera%20d%E2%80%99arte%20non%20e%E2%80%99%20composta%20da%20una%20serie%20di%20elementi%2C%20ma%20corrisponde%20a%20%20qualcosa%20di%20pi%C3%B9%20delle%20parti%20di%20cui%20e%E2%80%99%20costituita.%20La%20ricerca%20dell%E2%80%99immagine%20totale%2C%20della%20%E2%80%9Cgestalt%E2%80%9De%E2%80%99%20il%20suo%20scopo.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Panaiotis%20S.Papadopoulos%20Storico%20e%20Critico%20d%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22CAPPELLI%5C%22%202006%22%2C%22content%22%3A%22Marta%20Biagini%20fa%20del%20cappello%20l%E2%80%99idea%20primordiale%20del%20suo%20lavoro%2C%20confrontandosi%20con%20la%20%20tradizione%20surrealista%20con%20la%20quale%20stabilisce%20un%20colloquio%2C%20riconoscendola%20anche%20nel%20suo%20contesto.%20La%20sua%20opera%20si%20differenzia%20per%C3%B2%20dalla%20tradizione%20surrealista%20in%20modo%20sostanziale.%5Cn%5Cn%20%20%20%20Nel%20suo%20lavoro%2C%20i%20volti%20che%20portano%20il%20cappello%20sono%20raffigurati%20senza%20un%E2%80%99espressione%20ben%20precisa.%20Non%20si%20differenziano%20molto%20l%E2%80%99uno%20dall%E2%80%99altro.%20Non%20ha%20importanza%20quale%20sia%20l%E2%80%99espressione%20della%20figura.%20E%20certamente%20ci%C3%B2%20non%20%C3%A8%20casuale%2C%20visto%20che%20alle%20figure%20non%20viene%20affidato%20il%20compito%20di%20rappresentare%20personalit%C3%A0%20ben%20determinate%20%2C%20ma%2C%20al%20contrario%2C%20esse%20svolgono%20la%20funzione%20di%20archetipi.%20Ci%C3%B2%20che%20conta%20maggiormente%20sono%20i%20simboli%20che%20le%20figure%20portano%20nei%20loro%20cappelli.%5Cn%20%20%20%20I%20suoi%20simboli%3A%20fascino%2C%20vanit%C3%A0%2C%20maternita%2C%20senso%20di%20libert%C3%A0%2C%20precariet%C3%A0%2C%20ma%20anche%20chiari%20simboli%20psicologici%20che%20esprimono%20repressione%2C%20chiusura%2C%20dolore%2C%20rivelazione%20e%20anche%20inestricabile%20esistenzialismo.%20%20Protezione%2C%20tenerezza%2C%20immaginazione%20ed%20erotismo%2C%20paesaggi%20urbani%20e%20naturali%2C%20evasione%20e%20desiderio%20di%20libert%C3%A0%20%20o%20semplicemente%20il%20sognare%20ad%20occhi%20aperti.%20Cosi%20la%20lista%20pu%C3%B2%20continuare%20fino%20all%E2%80%99infinito.Il%20tema%20si%20fa%20uno%20stimolante%20e%20fecondo%20strumento%2C%20ma%20non%20si%20trasforma%20affatto%20in%20maniera.%20Perch%C3%A9%20%20il%20cappello%20nel%20lavoro%20della%20Biagini%20%C3%A8%20l%E2%80%99espressione%20stessa%20della%20condizione%20umana.%22%7D%2C%7B%22title%22%3A%22Dimitris%20Sklidis%20Pittore%2C%20artista%2C%20insegnante%20di%20pittura%20e%20di%20Storia%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22RAPPORTO%20IN%20TRE%20SEZIONI%5C%22%202005%22%2C%22content%22%3A%22Ogni%20esposizione%20di%20Marta%20Biagini%20%C3%A9%20sempre%20una%20sorpresa.%20Unisce%20la%20pazienza%20e%20la%20minuziosit%C3%A0%E2%80%99%20di%20un%20archeologo%20alla%20capacita%E2%80%99%20di%20accedere%20all%E2%80%99inconscio%20proprie%20di%20uno%20psicanalista%2C%20portando%20alla%20luce%20qualcosa%20di%20primordiale%20dal%20profondo%20dell%E2%80%99anima.%20Non%20nega%20%20di%20mostrarlo%2C%20di%20svelarlo%20davanti%20ai%20nostri%20occhi%20%20attoniti.%5Cn%20%20%20%20%C3%89%20un%20procedimento%20insistente.%20Per%20chi%20ha%20avuto%20l%E2%80%99occasione%2C%20come%20me%2C%20di%20conoscerla%2C%20questa%20faticosa%20ricerca%20d&#8217;introspezione%20%C3%A8%20impressa%20sul%20suo%20volto.%20Per%20chi%20non%20ha%20avuto%20l%E2%80%99occasione%20di%20conoscerla%2C%20basta%20che%20guardi%20le%20sue%20opere%2C%20che%20rispecchiano%20questa%20difficile%20prova.%20E%20non%20parlo%20soltanto%20per%20le%20%E2%80%93%20spesso%20impercettibili%20%E2%80%93%20contrazioni%20di%20tensione%20nelle%20sue%20figure.%20Ma%20%20altrettanto%20espressivo%20%C3%A8%20il%20silenzio%20delle%20forme%20archetipe%20che%20accompagnano%20le%20figure.%20Forme%20fuori%20dalla%20realt%C3%A0%2C%20fuori%20dalla%20logica%2C%20ma%20come%20altrimenti%20%20pu%C3%B2%E2%80%99%20esprimersi%20l%E2%80%99invisibile%2C%20l%E2%80%99indicibile%20%3F%5Cn%20%20%20%20I%20suoi%20colori%2C%20nella%20gamma%20di%20ocre%20e%20terre%20naturali%2C%20ben%20si%20armonizzano%20con%20le%20forme%20e%20il%20loro%20contenuto.%20Una%20piccola%20rivoluzione%20cromatica%20avviene%20negli%20ultimi%20lavori%2C%20con%20i%20bambini.%20%C3%89%20%20forse%20inevitabile%20che%20i%20colori%20dell%E2%80%99anima%20dei%20bambini%20qua%20si%20facciano%20pi%C3%B9%20luminosi%20e%20che%20spesso%20esprimano%20pi%C3%BA%20ottimismo.%5Cn%20%20%20In%20un%E2%80%99epoca%20come%20la%20nostra%2C%20dove%20Arthur%20Danto%20parla%20della%20fine%20dell%E2%80%99arte%20e%20dove%20per%20arte%20si%20intende%20tutto%20ci%C3%B2%E2%80%99%20che%20viene%20spacciato%20per%20arte%2C%20la%20pittura%20di%20Marta%20Biagini%20risplende%20con%20la%20sua%20schiettezza%2C%20il%20suo%20coraggio%2C%20la%20sensibilit%C3%A0%E2%80%99e%20la%20sua%20espressivit%C3%A0%E2%80%99%20artistica.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column css=&#8221;.vc_custom_1551755867246{padding-top: 112px !important;padding-bottom: 96px !important;}&#8221;][vc_column_text] [\/vc_column_text][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Konstantino%20Burazani%20Storico%20dell&#8217;Arte%20A.S.K.T%22%2C%22position%22%3A%22%5C%22PERCEZIONI%5C%22%20(2021)%22%2C%22content%22%3A%22Le%20%5C%22Percezioni%5C%22%20di%20Marta%20Biagini%2C%20sono%20un&#8217;apertura%20a%20un%20mondo%20diverso%2C%20non%20opposto%20al%20reale%2C%20ma%20esistente.%20Si%20tratta%20di%20uno%20sguardo%20pi%C3%B9%20soggettivo%20verso%20una%20diversa%20dimensione%20ontologica%20del%20mondo%20fisico%2C%20con%20la%20quale%20abbiamo%20una%20relazione%20particolare%2C%20riguardante%20la%20comprensione%20e%20la%20familiarit%C3%A0%20degli%20elementi%20cosmici%20e%20dello%20spazio%20circostante.%5Cn%20%20%20La%20percezione%20%C3%A8%20definita%20come%20la%20capacit%C3%A0%20mentale%20di%20vedere%20le%20immagini%2C%20al%20di%20l%C3%A0%20delle%20capacit%C3%A0%20della%20normale%20visione.%20Si%20tratta%20di%20un%20processo%20subconscio%2C%20che%20%C3%A8%20direttamente%20correlato%20all&#8217;esperienza%20e%20si%20inserisce%20in%20una%20secondaria%20%20natura%20dell&#8217;uomo%2C%20mentre%20proietta%20la%20conoscenza%2C%20la%20quale%20si%20produce%20con%20modi%20lontani%20dai%20sensi%20e%20dalla%20logica.%5Cn%20%20%20La%20comprensione%20attraverso%20l&#8217;esperienza%2C%20%C3%A8%20correlata%20a%20fattori%20che%20hanno%20un&#8217;influenza%20diretta%20e%20sono%20determinati%20sia%20dalle%20convinzioni%20soggettive%20che%20dal%20background%20culturale%20generale.%20L&#8217;artista%20attiva%20questo%20processo%20percettivo%20e%20presenta%20trentun%20dipinti%2C%20in%20cui%20si%20realizza%20la%20distinzione%20tra%20elemento%20soggettivo%20e%20quello%20oggettivo%2C%20dello%20spazio%20empirico.%20Il%20suo%20lavoro%20%C3%A8%20diviso%20in%20due%20categorie.%20La%20prima%20%20riguarda%20il%20s%C3%A9%20soggettivo%20e%20la%20sua%20visione%20degli%20elementi%20morfologici.%20In%20questo%20modo%20%20raggiunge%20il%20surrealismo.%20Il%20secondo%20invece%2C%20che%20trae%20ispirazione%20dal%20mondo%20oggettivo%2C%20mostra%20forme%20riconoscibili%2C%20integrate%20in%20una%20poesia%20pi%C3%B9%20mite%2C%20che%20rivela%20il%20paradosso%20dei%20due%20mondi.%5Cn%20%20%20Nella%20categoria%20delle%20opere%20puramente%20surreali%2C%20la%20tela%20%C3%A8%20inondata%20da%20forme%20astratte%20e%20biomorfiche%20che%20vagano%20nello%20spazio.%20I%20luoghi%20soprannaturali%20non%20obbediscono%20alla%20geometria%20euclidea%2C%20per%CF%8C%20attraverso%20le%20loro%20ombre%20e%20i%20loro%20contorni%20si%20sottopongono%20%20allo%20spazio%20tridimensionale%2C%20raffigurando%20cos%C3%AC%20una%20diversa%20realt%C3%A0%20.%20Gli%20organismi%20%20colorati%2C%20creazioni%20del%20subconscio%2C%20fluttuano%20e%20si%20sviluppano%2C%20all&#8217;interno%20delle%20allucinazioni%2C%20dove%20il%20tempo%20%C3%A8%20chiaramente%20assente.%20Passato%20e%20futuro%20si%20confondono%20in%20un%20compatto%20presente.%20%20%20Il%20disegno%20%C3%A8%20rigoroso%20e%20le%20forme%20che%20modella%20si%20presentano%20chiuse%2C%20il%20che%20conferisce%20un%20carattere%20di%20stabilit%C3%A0.%20Il%20colore%20si%20stende%20liscio%20e%20uniforme%2C%20senza%20residui%20e%20trame%20visibili%2C%20favorendo%20cos%C3%AC%20l&#8217;insieme%20che%20caratterizza%20perci%C3%B2&#8217;%20l&#8217;universo%20soggettivo.%5Cn%20%20%20La%20seconda%20categoria%20comprende%20opere%20in%20cui%20gli%20elementi%20illustrativi%20sono%20ancora%20legati%20alla%20realt%C3%A0%20oggettiva%2C%20anche%20se%20frammentariamente.%20I%20colori%20si%20presentano%20pi%C3%B9%20tenui%20e%20le%20forme%20cessano%20di%20essere%20cintate%2C%20in%20relazione%20al%20loro%20ambiente.%20Questo%20secondo%20mondo%20%20si%20sviluppa%20in%20modo%20pi%C3%B9%20proporzionale%20e%20pi%C3%B9%20dinamico.%20Lo%20spazio%20qui%20%C3%A8%20definito%20da%20architetture%2C%20oggetti%20e%20piante%2C%20che%20sono%20significativamente%20concentrate%20in%20ogni%20composizione.%20Volti%20e%20corpi%20sono%20integrati%20nelle%20composizioni%20astratte%20che%20completano%20il%20mondo%20onirico.%20Il%20nesso%20tra%20le%20forme%20%C3%A8%20vago%2C%20proiettando%20cos%C3%AC%20un%20rapporto%20strutturale%2C%20che%20a%20prima%20vista%20si%20basa%20sull&#8217;assurdo.%20Gli%20elementi%20realistici%20non%20appaiono%20come%20informazioni%20di%20una%20specifica%20narrazione%2C%20ma%20come%20stralci%2C%20ognuno%20dei%20quali%20%20%20ha%20in%20se&#8217;%20un%20proprio%20significato%20e%20contribuisce%20cos%C3%AC%20a%20un%20tutto%2C%20da%20cui%20si%20rivela%20la%20pura%20espressione%20del%20pittore.%5Cn%20%20%20La%20funzione%20dell&#8217;arte%20di%20%5C%22percezioni%5C%22%2C%20non%20%C3%A8%20finalizzato%20alla%20cognizione%20n%C3%A9%20a%20qualcosa%20di%20pragmatico(effettivo).%20Il%20suo%20scopo%20%C3%A8%20quello%20di%20rivelare%20il%20conflitto%2C%20tra%20istinti%20e%20logica%20emotiva%2C%20al%20vantaggio%20dell&#8217;espressione.%5Cn%20%20Le%20due%20diverse%20prospettive%2C%20sullo%20stesso%20mondo%20interiore%2C%20suggeriscono%20la%20contraddizione%20tra%20conscio%20e%20inconscio.%20L&#8217;ordine%20e%20la%20rigorosa%20purezza%20di%20cui%20godono%20le%20forme%20delle%20opere%20astratte%20e%20surreali%20contrasta%20con%20la%20fluidit%C3%A0%20e%20l&#8217;osmosi%20che%20prevale%20nelle%20composizioni%20che%20mantengono%20il%20loro%20contatto%20con%20gli%20elementi%20della%20realt%C3%A0.%20Pertanto%2C%20la%20contraddizione%20si%20oppone%20alla%20conoscenza%20gi%C3%A0%20formata%2C%20rispetto%20%20allo%20stato%20libero%20che%20prevale%20nello%20spazio%20dell&#8217;inconscio%20e%20l&#8217;ordine%20riconoscibile%2C%20che%20caratterizza%20la%20coscienza%20e%20la%20logica.%5Cn%20%20%20L&#8217;artista%20organizza%20una%20diversa%20struttura%20del%20suo%20mondo%20pittorico%2C%20dove%20prevale%20l&#8217;ambiguit%C3%A0%20tra%20i%20rapporti%20delle%20sue%20parti%2C%20con%20la%20sua%20esistenza%20che%20sembra%20enigmatica%2C%20ma%20senza%20poter%20essere%20rifiutata.%20Niente%20funziona%20in%20sequenza%2C%20ma%20tutto%20%C3%A8%20armonizzato%20sulla%20base%20di%20una%20diversa%20visione%20del%20mondo%2C%20dove%20si%20mette%20in%20primo%20piano%20l&#8217;emozione%2C%20che%20viene%20filtrata%20attraverso%20l&#8217;esperienza%20umana%20e%20traduce%20la%20morfologia%20in%20un%20processo%20soggettivo%20ed%20espressivo.%5Cn%20%20%20Dall&#8217;insieme%20delle%20opere%20scaturisce%20una%20forza%20interiore%2C%20che%20fa%20sentire%20questa%20esistenza%20diversa%2C%20che%20acquista%20consistenza%20nel%20colore%20e%20nella%20%20potenzialit%C3%A0%20delle%20forme.%20La%20Biagini%20con%20%C2%ABpercezioni%5C%22%2C%20sviluppa%20una%20retorica%20riguardo%20alla%20teoria%20dell&#8217;interiorit%C3%A0%20umana%20e%20la%20percezione%20dell&#8217;ambiente%20esterno%2C%20allo%20scopo%20di%20attivare%20la%20%20ricerca%20e%20la%20comunicazione%20di%20uno%20spazio%20pi%C3%B9%20essenziale%20e%20autentico.%22%7D%2C%7B%22title%22%3A%22Giannis%20Papadakis%22%2C%22position%22%3A%22%5C%22GUARDANDO%5C%22%202018%22%2C%22content%22%3A%22Seguendo%20il%20percorso%20artistico%20di%20Marta%2C%20si%20scopre%20un%20tragitto%20dalla%20bramosa%20ricerca%20%20pittorica%20attraverso%20il%20suo%20mondo%20interiore%20e%20la%20sua%20preoccupazione%20del%20sociale.%20Opere%20principalmente%20di%20volti%20ed%20espressioni%20con%20perfetta%20realizzazione%20pittorica.%20%C3%88%20abbastanza%20ci%C3%B2%20&#8217;per%20definirsi%20arte%3F%20La%20perfezione%20no%2C%20di%20per%20s%C3%A9%20non%20%C3%A8%20sufficiente%20e%20pu%C3%B2%20disorientare.%20Ma%20quando%20riesce%20a%20esprimere%20l&#8217;anima%2C%20come%20negli%20Spazi%20della%20Mente%2C%20allora%20s%C3%AC%20%C3%A8%20arte.%5Cn%20%20%20Realizza%20l&#8217;inespresso%20e%20allo%20stesso%20tempo%20esprime%20la%20preoccupazione%20di%20un%20essere%20umano%20per%20ci%C3%B2%20che%20sta%20accadendo%20intorno%20a%20s%C3%A9%20e%20dentro%20di%20s%C3%A9.%5Cn%20%20%20Si%20scopre%20che%20ha%20bisogno%20di%20pi%C3%B9%20per%20esprimere%20la%20sua%20agonia.%20Nasce%20cos%C3%AC%20il%20legame%20delle%20sue%20opere%20con%20il%20Rinascimento%20e%20la%20Mitologia%2C%20germe%20del%20metafisico%20e%20del%20trascendentale.%20La%20sua%20Medea%2C%20opera%20intensamente%20plastica%20ma%20anche%20selvaggia%2C%20come%20richiede%20il%20Mito.%20Opera%20tragica%20di%20selvaggia%20bellezza.%20%20%20%5Cn%20%20%20Contemporaneamente%2C%20il%20pozzo%20della%20speranza%20come%20lo%20percepisce%20la%20mia%20ignoranza%2C%20con%20l&#8217;immagine%20%20dei%20sassi%20che%20lo%20incoronano.%20Sensazione%20immaginaria%20che%20ognuno%20ha%20nella%20propria%20mente.%5Cn%20%20%20Il%20percorso%20prosegue%20con%20opere%20d&#8217;intensa%20plasticit%C3%A0%20e%20l&#8217;uso%20di%20colori%2C%20musica.%20Dipinti%20dal%20forte%20tono%20metafisico%2C%20di%20simboli%20spontanei%20che%20suggestionano%20%20e%20fanno%20decollare.%5Cn%20%20%20Qui%20il%20surreale%20e%20il%20metafisico%20coincidono.%20Ma%20forse%20succede%20sempre.%20Raramente%20pero&#8217;%20%C3%A8%20espresso%20in%20un%20modo%20cos%C3%AC%20moderno.%5Cn%20%20%20%C3%88%20anche%20di%20una%20bellezza%20che%20a%20prima%20vista%20intrappola%20e%20finch%C3%A9%20si%20continua%20a%20osservare%20porta%20a%20percorsi%2C%20%20riflessioni%2C%20problematiche%20che%20volontariamente%20o%20involontariamente%20l&#8217;artista%20ci%20fa%20indagare.%5Cn%20%20Si%20pu%C3%B2%20fantasticare%20su%20qualcosa%20che%20pu%C3%B2%20esistere%20(%3F)%20Ma%20non%20pu%C3%B2%20non%20esistere%20l&#8217;%20arte%20di%20Marta%2C%20piena%20di%20agonia%2C%20preoccupazione%2C%20poesia.%20Una%20poesia%20figurativa%2C%20fantasia%20libera%20senza%20vincoli%2C%20che%20allo%20stesso%20tempo%2C%20sebbene%20sembri%20un%20ossimoro%2C%20non%20lascia%20senza%20controllo%20il%20Pegaso%20della%20sua%20pittura.%5Cn%20%20%20Un%20percorso%20che%20prosegue%20negli%20spazi%20della%20mente%2C%20tra%20labirinti%20e%20speranze.%5Cn%20%20%20Fari%20e%20costruzioni%20a%20forma%20di%20faro%2C%20ricercatori%20%20(che%20si%20possa%20dire)%20e%20inquieti%20che%20spingono%20il%20pensiero%20a%20immaginare%20una%20Babele%20moderna.%20%20%20%20%20%5CnFari%20onniscienti%20rivelano%20percorsi%20inesplorati%20nascosti%20nelle%20profondit%C3%A0%20della%20mente.%5CnDove%20guidano%3F%5CnVogliono%20guidare%3F%5CnPiuttosto%2C%20portano%20a%20scavare%20%5C%22cercare%20dentro%5C%22.%5Cn%20%20%20Ed%20%C3%A8%20impossibile%20che%20restino%20ignorati%20%20gli%20eleganti%20uccelli%20che%20viaggiano%20secondo%20me%2C%20cercano%20l&#8217;aldil%C3%A0%20(pag.%20)%2C%20si%20allontanano%20dalla%20Logica.%5Cn%20%20%20Il%20percorso%20degli%20uccelli%20compete%20con%20un%20aquilone%20volante%20(pag.%20)%2C%20fuggitivo%20dalle%20stanze%20della%20mente%20in%20un%20percorso%20di%20speranza%3F%20Futuro%3F%5Cn%20%20%20Dopotutto%2C%20le%20opere%20di%20Marta%20non%20sono%20n%C3%A9%20logica%20n%C3%A9%20scienza.%20Sono%20arte.%5Cn%20%20%20Opere%20d&#8217;arte%20che%2C%20lavorando%20nel%20tempo%2C%20acquisiscono%20colori%20e%20accostamenti%20cromatici%20e%20una%20geometria%20di%20forme%20che%20pu%C3%B2%20avere%20un%20punto%20di%20partenza%20inconscio%20nel%20passato%20architettonico%20di%20Marta%2C%20ma%20che%20a%20me%20riporta%20alla%20mente%20immagini%20di%20%20De%20Chirico%20e%20Magritte.%20E%20non%20mi%20riferisco%20a%20un%20confronto%20di%20dimensioni%20artistiche%20ma%20al%20fatto%20che%20gli%20artisti%20di%20talento%20si%20istruiscono%20e%20assimilano%20l&#8217;insegnamento%20e%20le%20opere%20di%20maestri%20illustri.%5Cn%20%20%20L&#8217;arte%20di%20Marta%20%20sorprende%2C%20ma%20anche%20allieta.%20Non%20%C3%A8%20sentimentalismo%2C%20esprime%20il%20suo%20mondo%20interiore%20con%20gli%20strumenti%20della%20pittura.%5CnL&#8217;Arte%20avanza.%5CnProsegui%20Marta%20(aspettiamo%20cose%20nuove%20da%20te)%5Cn%5Cn%20%20%20Tutto%20quanto%20sopra%20sono%20opinioni%20personali.%20De%20profundis%2C%20non%20artisticamente%20documentate.%20Inoltre%2C%20non%20ho%20la%20formazione%20corrispondente.%20Ma%20questo%20non%20mi%20impedisce%20di%20esprimere%20come%20mi%20sento%20e%20cosa%20ricevo%20dalle%20opere%20della%20%20mia%20cara%20amica.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Nikolena%20Kalaitzaki%20Critico%20d&#8217;Arte%22%2C%22position%22%3A%22%5C%22SPAZI%20DELLA%20MENTE%5C%22%202018%22%2C%22content%22%3A%22Luoghi%20impregnati%20di%20colore%2C%20tratti%20dalla%20carezza%20della%20fantasia%20e%20dalla%20memoria%20del%20realismo%2C%20compongono%20il%20mondo%20pittorico%20di%20M.B.%20Secondo%20il%20titolo%20%5C%22Spazi%20della%20Mente%5C%22%2C%20l&#8217;esposizione%20mi%20riporta%2C%20per%20prima%20cosa%2C%20alla%20sensazione%20di%20una%20poetica%20fragilit%C3%A0%20che%20si%20esprime%20non%20con%20parole%2C%20ma%20con%20il%20pennello%20e%20le%20tecniche%20e%20i%20mezzi%20che%20la%20pittura%20offre.%5Cn%20%20%20Marta%2C%20architetto%20da%20anni%2C%20pittrice%20fin%20da%20bambina%2C%20riesce%2C%20nelle%20sue%20opere%20a%20coniugare%20le%20sue%20due%20grandi%20passioni.%20L&#8217;Architettura%2C%20con%20le%20sue%20regole%20determinate%2C%20con%20la%20libert%C3%A0%20del%20fare%20artistico.%20In%20un%20caloroso%20abbraccio%2C%20metafisico%2C%20%20surrealisticamente%20proposto%2C%20spazi%20della%20mente%20in%20continuo%20movimento%2C%20con%20costruzioni%20come%20punto%20di%20riferimento%2C%20%20aprono%20le%20porte%20alla%20vortiginosit%C3%A1%20del%20pensiero%20verso%20infiniti%20viaggi.%5Cn%20%20%20Dentro%20a%20queste%20costruzioni%20architettoniche%20si%20cela%20un%20%E2%80%9Clievito%20seduttivo%E2%80%9D.%20Si%20direbbe%20che%20ricordano%20nascondigli%20che%20stimolano%20a%20vagare%20dentro%2C%20fuori%20e%20intorno.%20A%20camminare%20sopra%20le%20loro%20ritmiche%20piastrelle.%20Ad%20attraversare%20lungo%20le%20scale%20i%20loro%20passaggi%20aperti.%20A%20cercare%20di%20trovare%20che%20cosa%20si%20cela%20dietro%20ai%20loro%20simboli%2C%20pi%C3%B9%20grandi%20o%20pi%C3%B9%20piccoli.%20Da%20qualche%20parte%20ci%20sono%20pietra%20e%20fiori%20bizzarri.%20E%20c&#8217;%C3%A8%20%20anche%20sole%20e%20mari%20azzurri%20al%20tramonto.%5Cn%20%20%20La%20verit%C3%A0%20%C3%A8%20che%20il%20simbolismo%20pullula%20nella%20totalit%C3%A0%20delle%20opere%20della%20Biagini%2C%20anche%20negli%20elementi%20architettonici.%20A%20volte%20rimandano%20a%20complessi%20ellenici%2C%20delle%20isole%20o%20ad%20antichi%20palazzi.%20%20Altre%20volte%20ad%20alte%20torri%20cilindriche%20aristocratiche%20appartenenti%20a%20un&#8217;altra%20epoca.%20A%20quartieri%20o%20fortificazioni%20coniche.%20Li%20accompagnano%20elementi%20della%20natura.%20Cieli%2C%20alberi%2C%20uccelli.%5Cn%20%20%20E%20in%20tutto%20questo%20la%20figura%20umana%20%C3%A8%20assente.%5Cn%20%20%20Figure%20umane%20si%20ritrovano%20invece%20nella%20seconda%20sezione%20delle%20sue%20opere%20che%20viene%20presentata%20nella%20mostra.%20Si%20tratta%20di%20ritratti%20collocati%20in%20ambienti%20architettonici%2C%20in%20alcuni%20casi%20ben%20definiti%20(stanze%2C%20spazi)%20e%20altrove%20collocati%20su%20uno%20sfondo%20astratto%20che%20si%20compone%20di%20vari%20motivi%20geometrici.%5Cn%20%20%20I%20volti%20sono%20interpretati%20secondo%20una%20scrittura%20figurativa%20personale%2C%20con%20il%20loro%20realismo%20che%20si%20distorce.%20%20La%20caratteristica%20principale%20di%20tutte%20le%20figure%20%C3%A8%20la%20loro%20espressione%20e%20il%20loro%20sguardo.%20Con%20gli%20occhi%20umidi%20e%20un&#8217;espressione%20seria%2C%20guardano%20lo%20spettatore%20o%20da%20qualche%20altra%20parte.%20%20Da%20qualche%20parte%20in%20alto.%20Come%20silenziose%2C%20immerse%20dentro%20se%20stesse%2C%20danno%20l&#8217;impressione%20di%20vagheggiare%20o%20come%20se%20volessero%20fuggire%20dal%20loro%20presente%2C%20nel%20paese%20dei%20propri%20sogni.%22%7D%2C%7B%22title%22%3A%22Athin%C3%A0%20Schin%C3%A0%20Critico%20%26%20Storico%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22TRAME%20SPAZIALI%5C%22%202011%22%2C%22content%22%3A%22Marta%20Biagini%20non%20dispone%20soltanto%20di%20una%20feconda%20fantasia%20creatrice%20d&#8217;immagini%20e%20di%20forme%2C%20grazie%20alla%20quale%20libera%20possibilit%C3%A0%20espressive%20dell%E2%80%99inconscio.%20Avvalendosi%20della%20scrittura%20automatica%20surrealista%2C%20decodifica%20stimoli%20e%20sensazioni%20che%20riceve%20dal%20suo%20ambiente%2C%20da%20relazioni%20e%20impressioni%2C%20da%20registrazioni%20della%20memoria%20e%20condizioni%20%20archetipe%2C%20trasformandoli%20in%20labirintici%20campi%20visivi.%5Cn%20%20%20La%20sua%20ricerca%20figurativa%20si%20focalizza%20nella%20ricomposizione%20di%20una%20realt%C3%A0%20che%20deriva%20dalle%20stesse%20influenze%20della%20scrittura%2C%20come%20percorsi%20di%20segni%20multiformi%20e%20proseguimento%20della%20linea.%20Di%20una%20linea%20che%2C%20con%20gli%20intrecci%20e%20i%20ritorni%20su%20se%20stessa%2C%20con%20ispessimenti%20e%20rarefazioni%2C%20con%20sintesi%20ritmiche%20e%20ondeggianti%2C%20crea%20trame%20entro%20le%20quali%20si%20misura%20l&#8217;appurato%20con%20il%20non%20convalidato%2C%20il%20visibile%20con%20il%20presunto%2C%20l%E2%80%99enigmatico%20con%20il%20paradossale.%5Cn%20%20%20I%20%5C%22paesaggi%5C%22e%20la%20scrittura%20astratta%20e%20gestuale%20di%20Marta%20Biagini%20ricordano%20schermi%20di%20trina%20che%20uniscono%20e%20contemporaneamente%20dividono%20%5C%22l%E2%80%99essere%5C%22%20dal%20%5C%22sembrare%5C%22%20di%20una%20fluida%20e%20continua%20sequenza%20di%20situazioni.%20Se%20l%E2%80%99auto%20definizione%20esistenziale%20della%20stessa%20scrittura%20determina%20le%20trasformazioni%20e%20le%20trasfigurazioni%20dell%E2%80%99%20%5C%22io%5C%22%2C%20questa%20prima%20persona%20singolare%20nel%20%20lavoro%20dell%E2%80%99artista%20acquista%20multiformit%C3%A0%20e%20diventa%20il%20plurale%20%5C%22noi%5C%22%2C%20come%20coscienza%20di%20una%20drammaturgia%20di%20eventi%20multi%20modali%20che%20si%20riferiscono%20al%20palese%20e%20all%E2%80%99invisibile%2C%20al%20passato%20che%20diventa%20presente%2C%20senza%20tuttavia%20il%20limite%20di%20definizioni%20determinate.%5Cn%20%20%20Lo%20spettatore%20viene%20attratto%20e%20nello%20stesso%20tempo%20intrecciato%20inconsciamente%20nell%E2%80%99andamento%20labirintico%20della%20%20scrittura%20che%2C%20oltre%20e%20sopra%20a%20tutto%2C%20definisce%20le%20gradazioni%20e%20le%20trame%20pittoriche%2C%20le%20tensioni%20%20e%20il%20carattere%20dello%20spazio%20in%20se%20stesso.%20Di%20uno%20spazio%20che%20decostruisce%20e%20ristruttura%2C%20altera%20e%20continuamente%20impedisce%20le%20possibilit%C3%A0%20di%20tutelare%20la%20logica.%20Questo%20spazio%20dalle%20molte%20dinamiche%20cede%20il%20posto%20a%20trame%20topologiche%20che%20talvolta%20colorano%2C%20altre%20volte%20decolorano%20con%20semitoni%20le%20varie%20propagazioni%20delle%20sue%20parti%2C%20le%20quali%20non%20soltanto%20comunicano%20tra%20di%20loro%2C%20ma%20conferiscono%20anche%20la%20sequenza%20organica%20all%E2%80%99insieme%2C%20stimolando%20nello%20spettatore%20il%20meccanismo%20di%20associazione.%5Cn%20%20%20Nel%20lavoro%20di%20Marta.Biagini%20lo%20spazio%20si%20identifica%20con%20il%20tempo%20e%20la%20luce%2C%20mentre%20le%20scale%20ridotte%20corrispondono%20a%20grandi%20scale%20di%20avvenimenti%20che%20superano%20l%E2%80%99%20autonomia%20%20dell%E2%80%99%5C%22io%5C%22.%20Ogni%20campo%20visivo%20equivale%20al%20positivo%20e%20al%20negativo%20della%20sua%20presenza%2C%20come%20se%20lo%20spettatore%20comunicasse%20con%20una%20fotografia%20%20e%20allo%20stesso%20tempo%20con%20il%20suo%20negativo%2C%20perch%C3%A9%20ci%C3%B2%20che%20si%20ricerca%20in%20questa%20specifica%20serie%20di%20opere%20non%20%C3%A8%20svelare%20solo%20le%20trasformazioni%20di%20una%20%C2%ABimmagine%C2%BB%2C%20ma%20le%20sinergie%20nel%20momento%20in%20cui%20esse%20indicano%20la%20morfogenesi%20in%20se%20stessa%2C%20entro%20lo%20spazio%2C%20il%20tempo%20e%20la%20luminescenza%20di%20un%20campo%20visivo%20che%2C%20come%20uno%20schermo%2C%20palpita%20di%20vita%2C%20si%20contrae%20e%20si%20distribuisce%2C%20si%20riduce%20e%20si%20espande%2C%20portando%20in%20primo%20piano%20il%20significato%20e%20la%20dinamica%20del%20grafismo.%20L%E2%80%99entit%C3%A0%20della%20scrittura%20-%20come%20un%20organismo%20multicellulare%20-%20attraverso%20la%20sua%20circonvoluzione%2C%20le%20sovrapposizioni%20delle%20trame%2C%20il%20suo%20semplificarsi%20e%20il%20suo%20convertirsi%2C%20il%20divenire%20complessa%20e%20il%20lasciare%20tracce%2C%20si%20trasforma%20nell%E2%80%99entit%C3%A0%20di%20una%20materia%20che%20si%20ricostruisce%20e%20si%20deframmenta%2C%20alla%20ricerca%20di%20autenticit%C3%A0%20e%20plausibilit%C3%A0%20della%20sua%20presenza%20aerea.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22%CE%95lena%20Orlando%2C%20Storico%20dell&#8217;Arte%22%2C%22position%22%3A%22%5C%22IL%20RITMO%20ARMONICO%20E%20FANTASTICO%20DEL%20PENSIERO%5C%22%202013%22%2C%22content%22%3A%22Guardando%20le%20opere%20di%20questa%20artista%20l%E2%80%99inconscio%20emerge%20durante%20i%20sogni%2C%20%20dopodich%C3%A9%20finita%20la%20fase%20onirica%20permette%20di%20associare%20libere%20parole%2C%20liberi%20pensieri%20e%20immagini%20senza%20freni%20inibitori.%20E%E2%80%99%20vero%20surrealismo%20%20quello%20di%20Biagini%20che%20parte%20da%20un%20punto%20e%20poi%20piano%20piano%20costruisce%20intorno%20a%20esso%20una%20scrittura%20che%20prende%20inesauribili%20vie.%20Nelle%20sue%20opere%20si%20riscontra%20una%20forte%20libert%C3%A0%20immaginativa%20che%20dall%E2%80%99io%20pi%C3%B9%20profondo%20porta%20a%20raggiungere%20uno%20stato%20conoscitivo%20oltre%20la%20realt%C3%A0%20in%20cui%20veglia%20e%20sogno%20sono%20presenti%20entrambi%20e%20si%20conciliano%20a%20vicenda%20in%20modo%20armonico.%20L%E2%80%99artista%20accanto%20a%20immagini%20nitide%20e%20reali%20sviluppa%20forme%20che%20non%20sono%20sempre%20decifrabili%2C%20ma%20si%20collegano%20sapientemente%20tra%20loro%20dando%20vita%20a%20figure%20enigmatiche%2C%20ma%20che%20stimolano%20sentimenti%20ed%20emozioni.%20Il%20%20modo%20di%20esprimersi%20di%20Marta%20denota%20capacit%C3%A0%20analitica%20nei%20confronti%20del%20mondo%20circostante%20e%20di%20coloro%20che%20ne%20fanno%20parte.%5Cn%5Cn%20%20%20Tutto%20spazia%20attraverso%20sguardi%20e%20atteggiamenti%20fortemente%20intrisi%20di%20significato%20e%20nelle%20immagini%20fantastiche%20sono%20%20le%20sfumature%20cromatiche%20e%20la%20forma%20a%20dare%20rilevante%20valore%20ai%20suoi%20lavori.%5Cn%5Cn%20%20%20I%20bambini%20di%20colore%20ci%20guardano%20esprimendo%20un%20dolore%20antico%2C%20che%20chiede%2C%20che%20giudica%20e%20che%2C%20con%20dolcezza%2C%20condanna%20la%20nostra%20indifferenza%2C%20senza%20sopraffare%2C%20ma%20portandoci%20a%20rimetterci%20continuamente%20in%20discussione%20e%20farci%20un%20continuo%20esame%20di%20coscienza.%20Belle%20le%20opere%20e%20piene%20di%20significato%2C%20da%20guardare%20per%20riflettere%20e%20conservare%20nel%20proprio%20cuore.%22%7D%2C%7B%22title%22%3A%22Panaiotis%20Papadopulos%2C%20Critico%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22IL%20LIBERO%20GIOCO%20DELLA%20FANTASIA%5C%22%202014%22%2C%22content%22%3A%22%20%20%20Il%20Libro%20Rosso%20di%20Carl%20Yung%20%C3%A8%20%20la%20descrizione%20dei%20vari%20stati%20d%E2%80%99animo%20dell%E2%80%99autore.%20Una%20specie%20di%20diario%20psicologico.%20In%20questo%20libro%20sono%20raffigurati%20anche%20molti%20disegni%20eseguiti%20da%20lui%20stesso.%20Yung%20considerava%20questi%20disegni%20come%20la%20manifestazione%20esterna%20del%20modo%20in%20cui%20viveva%20le%20proprie%20esperienze.%20Costituivano%20l%E2%80%99espressione%20dell%E2%80%99%E2%80%9Danima%20oggettiva%E2%80%9D%2C%20cio%C3%A8%E2%80%99%20l%E2%80%99espressione%20esteriore%20di%20elementi%20che%20sono%20comuni%20a%20tutti.%20%20%20%20%20%20%20%20%20%20%5Cn%5Cn%20%20%20Si%20sa%20che%20l%E2%80%99artista%20in%20genere%20vive%20con%20idee%20persistenti.%20Ripete%20ininterrottamente%20immagini%2C%20simboli%20e%20situazioni%20che%20per%20lui%20hanno%20un%20determinato%20peso.%20Il%20ricorrere%20continuamente%20a%20essi%20%20%C3%A9%20la%20sua%20caratteristica.%20%5Cn%5Cn%20%20%20Si%20%20ritrova%20questo%20anche%20in%20Marta%20Biagini.%20Nella%20sua%20precedente%20%20esposizione%2C%20con%20il%20tema%20dei%20cappelli%2C%20vi%20era%20principalmente%20la%20volont%C3%A0%20di%20dar%20forma%20a%20simboli%20che%20le%20varie%20figure%20portavano%20sui%20propri%20cappelli.%20Ogni%20%20forma%20rimandava%20a%20un%E2%80%99immagine%20di%20un%20qualche%20stereotipo%20o%20di%20un%20qualche%20simbolo%20archetipo.%20%5Cn%5Cn%20%20%20Nell%E2%80%99%20esposizione%20attuale%20si%20ritrova%20una%20continuazione%20della%20stessa%20problematica.%20Gli%20acquarelli%20e%20anche%20le%20opere%20a%20olio%20con%20questa%20tematica%20creano%20%20un%20gioco%20con%20gli%20elementi%20della%20memoria.%20La%20sua%20grafica%20fa%20pensare%20a%20quella%20automatica%20dei%20surrealisti%20o%20alla%20corrispondente%20tecnica%20di%20Cocteau.%20Inizia%20infatti%20a%20disegnare%20partendo%20da%20un%20punto%20casuale.%20%20Procede%20a%20mano%20a%20mano%20creando%20delle%20forme%20che%20rimandano%20a%20elementi%20archetipi%20della%20memoria.%20La%20torre%2C%20la%20finestra%2C%20la%20scala%20fanno%20parte%20di%20questi.%20Certamente%20questo%20procedimento%20pu%C3%B2%E2%80%99svolgersi%20anche%20al%20contrario.%20Si%20pu%C3%B2%E2%80%99%20cominciare%20cio%C3%A8%20da%20qualche%20simbolo%20caratteristico%20per%20continuare%20in%20seguito%20improvvisando.%20Sia%20nell%E2%80%99uno%20che%20nell%E2%80%99altro%20caso%20si%20raggiunge%20lo%20stesso%20risultato%3A%20di%20svelare%20e%20di%20esprimere%20figurativamente%20l%E2%80%99eredit%C3%A0%20%20della%20memoria%20che%20%C3%A8%20%20comune%20a%20tutti%20e%20che%20si%20trova%20dentro%20di%20noi.%20%5Cn%5Cn%20%20%20%20Il%20procedimento%20che%20abbiamo%20descritto%20corrisponde%20ai%20due%20livelli%20della%20memoria%20che%20l%E2%80%99artista%20recepisce.%20Da%20una%20parte%20si%20ha%20una%20memoria%20immediata%20che%20rimanda%20a%20un%20certo%20genere%20di%20forma.%20Si%20disegna%20diversamente%20quando%20si%20%C3%A8%20calmi%20piuttosto%20che%20quando%20si%20e%E2%80%99%20arrabbiati%20o%20malinconici.%20Si%20tratta%20di%20una%20specie%20di%20memoria%20istantanea%2C%20di%20una%20corrispondenza%20immediata%20agli%20stimoli%20provenienti%20dall%E2%80%99ambiente%20e%20dalle%20proprie%20sensazioni.%20Questo%20livello%20conduce%20all%E2%80%99improvvisazione%20che%20straripa%20da%20opera%20a%20opera%20a%20seconda%20dello%20stato%20emotivo%20dell%E2%80%99artista.%20Esiste%20per%C3%B2%20anche%20la%20memoria%20continua%20che%20aiuta%20nell%E2%80%99espressione%20degli%20archetipi%20che%20l%E2%80%99artista%20vuole%20raffigurare.%20Adotta%20il%20concetto%20classico%20dell%E2%80%99arte%20che%20non%20e%E2%80%99%20altro%20che%20il%20libero%20gioco%20della%20fantasia%20che%20sgorga%20in%20modo%20libero%20e%20spontaneo.%20Ci%C3%B2%20che%20la%20fantasia%20non%20dimentica%20si%20avvale%20della%20possibilit%C3%A0%20di%20esistere.%20La%20asimmetria%20che%20c%E2%80%99%C3%A9%20tra%20la%20realt%C3%A0%20e%20la%20fantasia%20non%20si%20risolve%20per%20dato%20di%20fatto%20ma%20intermediando%20con%20la%20forza%20del%20fantastico.%20I%20suoi%20disegni%20sperimentano%20%20le%20pi%C3%B9%20infinite%20possibilit%C3%A0%20tra%20il%20Generico%20e%20lo%20Specifico%20con%20la%20fantasia%2C%20in%20base%20a%20criteri%20che%20non%20sono%20dati%20a%20priori%20ma%20interagiscono%20come%20in%20un%20gioco.%20%5Cn%5Cn%20%20%20Marta%20Biagini%20punta%20a%20focalizzare%20il%20significato%20dell%E2%80%99insieme%20e%20della%20sua%20composizione.%20Principi%20che%20ha%20preso%20in%20prestito%20dall%E2%80%99architettura.%20Quando%20disegna%20o%20dipinge%20una%20torre%20non%20le%20importa%20solo%20di%20raffigurare%20un%20simbolo%2C%20ma%20di%20come%20esso%20si%20inserisca%20con%20i%20suoi%20elementi%20d&#8217;improvvisazione%20entro%20una%20struttura%20unica.%20La%20forma%20deve%20essere%20totale.%20L%E2%80%99opera%20d%E2%80%99arte%20non%20e%E2%80%99%20composta%20da%20una%20serie%20di%20elementi%2C%20ma%20corrisponde%20a%20%20qualcosa%20di%20pi%C3%B9%20delle%20parti%20di%20cui%20e%E2%80%99%20costituita.%20La%20ricerca%20dell%E2%80%99immagine%20totale%2C%20della%20%E2%80%9Cgestalt%E2%80%9De%E2%80%99%20il%20suo%20scopo.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][vc_empty_space height=&#8221;75&#8243;][ct_testimonial_carousel testimonial_item=&#8221;%5B%7B%22title%22%3A%22Panaiotis%20S.Papadopoulos%20Storico%20e%20Critico%20d%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22CAPPELLI%5C%22%202006%22%2C%22content%22%3A%22Marta%20Biagini%20fa%20del%20cappello%20l%E2%80%99idea%20primordiale%20del%20suo%20lavoro%2C%20confrontandosi%20con%20la%20%20tradizione%20surrealista%20con%20la%20quale%20stabilisce%20un%20colloquio%2C%20riconoscendola%20anche%20nel%20suo%20contesto.%20La%20sua%20opera%20si%20differenzia%20per%C3%B2%20dalla%20tradizione%20surrealista%20in%20modo%20sostanziale.%5Cn%5Cn%20%20%20%20Nel%20suo%20lavoro%2C%20i%20volti%20che%20portano%20il%20cappello%20sono%20raffigurati%20senza%20un%E2%80%99espressione%20ben%20precisa.%20Non%20si%20differenziano%20molto%20l%E2%80%99uno%20dall%E2%80%99altro.%20Non%20ha%20importanza%20quale%20sia%20l%E2%80%99espressione%20della%20figura.%20E%20certamente%20ci%C3%B2%20non%20%C3%A8%20casuale%2C%20visto%20che%20alle%20figure%20non%20viene%20affidato%20il%20compito%20di%20rappresentare%20personalit%C3%A0%20ben%20determinate%20%2C%20ma%2C%20al%20contrario%2C%20esse%20svolgono%20la%20funzione%20di%20archetipi.%20Ci%C3%B2%20che%20conta%20maggiormente%20sono%20i%20simboli%20che%20le%20figure%20portano%20nei%20loro%20cappelli.%5Cn%20%20%20%20I%20suoi%20simboli%3A%20fascino%2C%20vanit%C3%A0%2C%20maternita%2C%20senso%20di%20libert%C3%A0%2C%20precariet%C3%A0%2C%20ma%20anche%20chiari%20simboli%20psicologici%20che%20esprimono%20repressione%2C%20chiusura%2C%20dolore%2C%20rivelazione%20e%20anche%20inestricabile%20esistenzialismo.%20%20Protezione%2C%20tenerezza%2C%20immaginazione%20ed%20erotismo%2C%20paesaggi%20urbani%20e%20naturali%2C%20evasione%20e%20desiderio%20di%20libert%C3%A0%20%20o%20semplicemente%20il%20sognare%20ad%20occhi%20aperti.%20Cosi%20la%20lista%20pu%C3%B2%20continuare%20fino%20all%E2%80%99infinito.Il%20tema%20si%20fa%20uno%20stimolante%20e%20fecondo%20strumento%2C%20ma%20non%20si%20trasforma%20affatto%20in%20maniera.%20Perch%C3%A9%20%20il%20cappello%20nel%20lavoro%20della%20Biagini%20%C3%A8%20l%E2%80%99espressione%20stessa%20della%20condizione%20umana.%22%7D%2C%7B%22title%22%3A%22Dimitris%20Sklidis%20Pittore%2C%20artista%2C%20insegnante%20di%20pittura%20e%20di%20Storia%20dell%E2%80%99Arte%22%2C%22position%22%3A%22%5C%22RAPPORTO%20IN%20TRE%20SEZIONI%5C%22%202005%22%2C%22content%22%3A%22Ogni%20esposizione%20di%20Marta%20Biagini%20%C3%A9%20sempre%20una%20sorpresa.%20Unisce%20la%20pazienza%20e%20la%20minuziosit%C3%A0%E2%80%99%20di%20un%20archeologo%20alla%20capacita%E2%80%99%20di%20accedere%20all%E2%80%99inconscio%20proprie%20di%20uno%20psicanalista%2C%20portando%20alla%20luce%20qualcosa%20di%20primordiale%20dal%20profondo%20dell%E2%80%99anima.%20Non%20nega%20%20di%20mostrarlo%2C%20di%20svelarlo%20davanti%20ai%20nostri%20occhi%20%20attoniti.%5Cn%20%20%20%20%C3%89%20un%20procedimento%20insistente.%20Per%20chi%20ha%20avuto%20l%E2%80%99occasione%2C%20come%20me%2C%20di%20conoscerla%2C%20questa%20faticosa%20ricerca%20d&#8217;introspezione%20%C3%A8%20impressa%20sul%20suo%20volto.%20Per%20chi%20non%20ha%20avuto%20l%E2%80%99occasione%20di%20conoscerla%2C%20basta%20che%20guardi%20le%20sue%20opere%2C%20che%20rispecchiano%20questa%20difficile%20prova.%20E%20non%20parlo%20soltanto%20per%20le%20%E2%80%93%20spesso%20impercettibili%20%E2%80%93%20contrazioni%20di%20tensione%20nelle%20sue%20figure.%20Ma%20%20altrettanto%20espressivo%20%C3%A8%20il%20silenzio%20delle%20forme%20archetipe%20che%20accompagnano%20le%20figure.%20Forme%20fuori%20dalla%20realt%C3%A0%2C%20fuori%20dalla%20logica%2C%20ma%20come%20altrimenti%20%20pu%C3%B2%E2%80%99%20esprimersi%20l%E2%80%99invisibile%2C%20l%E2%80%99indicibile%20%3F%5Cn%20%20%20%20I%20suoi%20colori%2C%20nella%20gamma%20di%20ocre%20e%20terre%20naturali%2C%20ben%20si%20armonizzano%20con%20le%20forme%20e%20il%20loro%20contenuto.%20Una%20piccola%20rivoluzione%20cromatica%20avviene%20negli%20ultimi%20lavori%2C%20con%20i%20bambini.%20%C3%89%20%20forse%20inevitabile%20che%20i%20colori%20dell%E2%80%99anima%20dei%20bambini%20qua%20si%20facciano%20pi%C3%B9%20luminosi%20e%20che%20spesso%20esprimano%20pi%C3%BA%20ottimismo.%5Cn%20%20%20In%20un%E2%80%99epoca%20come%20la%20nostra%2C%20dove%20Arthur%20Danto%20parla%20della%20fine%20dell%E2%80%99arte%20e%20dove%20per%20arte%20si%20intende%20tutto%20ci%C3%B2%E2%80%99%20che%20viene%20spacciato%20per%20arte%2C%20la%20pittura%20di%20Marta%20Biagini%20risplende%20con%20la%20sua%20schiettezza%2C%20il%20suo%20coraggio%2C%20la%20sensibilit%C3%A0%E2%80%99e%20la%20sua%20espressivit%C3%A0%E2%80%99%20artistica.%22%7D%5D&#8221; col_xs=&#8221;1&#8243; col_sm=&#8221;1&#8243; col_md=&#8221;2&#8243; col_lg=&#8221;2&#8243; col_xl=&#8221;2&#8243; loop=&#8221;true&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-16556","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/pages\/16556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/comments?post=16556"}],"version-history":[{"count":5,"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/pages\/16556\/revisions"}],"predecessor-version":[{"id":17772,"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/pages\/16556\/revisions\/17772"}],"wp:attachment":[{"href":"https:\/\/martabiagini.gr\/it\/wp-json\/wp\/v2\/media?parent=16556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}